Dim's Write Stuff

We're all guilty. Spurred by an impulse too intense to ignore. Rationale and logic shoved to the backseat in favour of letting impetuousness drive. Despite knowing better, validation for such behaviours is often reduced to a dismissive, all encompassing, we did it anyway, which is the haunting underlying premise of Carla Salmon's latest young teen novel, We Did It Anyway. Hot on the heels of our first encounter with the youths of the coastal Red Sands community, this racy adventure focuses on other erstwhile members of the friendship circle; Alex, Otto and Jasper. The spotlight doesn't just rest on the boys however with Luna and best mate, Milly, firmly lending narrative nouse and balance. Set on the rugged island of Talmar, the group gather to partake in an Easter holiday life-saving club training camp. Opinions oscillate wildly about this; the boys are all up for a bit of freedom. Luna is less convinced about the camping vibe but with the twins' dad there to supervi...

One of the most seemingly benign 'firsts' a parent and their child have to face - the first hair cut ... in a salon - is often fraught with some of the most intense emotions. Fear, confusion, grief, all the indescribable fears toddlers and youngsters encounter are distilled into this gorgeously rendered picture book, Max And The Haircut . The title sets the premise straight away, suggesting that the act of getting a hair cut assumes an entity too overwhelming to name.  By his own admission, Max's mane needs taming and at first a trip to Wendy's Hair Salon with his mum seems a fun interesting outing. The trouble is, the salon is too bright and noisy and full of sharp, spiky objects . Doubt grows faster than Max's curls. What is normal and accepted for us from learned experience, the odd smells, curious sounds and intrusive atmosphere, quickly overwhelm Max as they do many young children. Despite Wendy's gentle assurances that the all-encompassing aprons and shar...

Verse novels possess a certain magic that levels up emotion and crystalises conception. Award-winning Aussie author, Karen Comer's Once Upon Tomorrow is just such a lyrical foray into the past, the questionable future and the fairy tale reality of all the in-bewteeens.  It's fascinating watching the tales of three girls each from a different time period of social awareness unfold in this unlikely format. It works brilliantly however as Comer weaves the stories of eighteen-year-old Jungian student, Miri's from 2025 with Aleita's, a sixteen-year-old tech forward youth with confrontational feelings about the digital era of the 2125.  Stitched throughout their respective stories is Sylvie's, a young maiden whose mysterious fairy tale existence unfurls into a tale unto its own, The Girl At The Threshold .  Miri finds herself pregnant, in love and obsessed with the direction her, until now, carefully planned future should take all before her final high school year. She ...

-   I often describe my ideas as niggles, but a more accurate description would be having a giant billboard in my head with a sign that says, ‘Do this cool thing next’. Sometimes I metaphorically drive right past, knowing it’s not a detour I want to take. Other times I’m exiting early with a carload of craft supplies and paper. In the case of my debut graphic novel, it was a billboard that would not go away; it was lit up at night, nudging the corners of my days with whimsical little ideas, characters that would join the scenes playing in my head, and a loose storyline waiting impatiently to be written I made the turn towards my little gnomes early and with great excitement. As a collector of trinkets, my small-hatted friends have been companions in my garden for many years, and it brings me great joy to imagine their lives amongst the plants, playing survival of the fittest (the plants, not the gnomes). I knew there was a story there, but I didn’t know where it would lead me. As ...

Those that know me well know I have a thing for small cute reckless ungulates. My goat fetish began in childhood however, sadly has never bloomed into full-on ownership. How could one not love those rectangular pupils, devil-may-care attitudes and ability to eat anything in their line of vision? The real question here however is, how could one not love Peter Carnavas ' latest junior fiction, Kid.   Kid is a miniature baby goat; dial up the cuteness level. He is sweet natured and open-hearted; giving Wilbur the pig vibes. And he lives on the farm and sleeps with the hens because Kid is an orphan. After a dramatic midnight mission to chase off a marauding fox shortly after his birth, Kid's parents, Buck and Bess disappear into the wilds outside the safe confines of the farm, never to be heard from or seen again. Audrey, the chook literally left holding the baby, raises Kid like one of her own and because of his diminutive size, they share a close and confidential co-existence. ...

When nonsense invites silliness, silliness begets joy. And joy is one of the best things we can feed to our young folk. Unfettered amusement is exactly what you're served in James Foley's , Oh No!   I'm no grammar junkie but as a writer, I do adore a good dollop of onomatopoeia. Oh No! not only promises this from the very first end papers, it delivers it on every single page. Which is great for ramming home the meaning behind this multi-syllabic device, but also achieves the penultimate objective of any picture book, repeat read throughs. Every splish, splash CHOMP ! is accompanied by the query of ' What's that noise? ', because these onomatopoeic words describe sounds which set the scene for the aforementioned silliness and invite further investigation.  It all begins with rapturous applause, or rather a pageful of clap clap clapping for an elephant with a very special cake. Sadly, things soon spiral into a vortex of catastrophic mishaps each more ludicrious ...

Girls. Creatures unto themselves, unique, uncompromising, spirited. Well that's exactly what they can and should be so depicted in this gratifyingly colourful celebration of what girls actually like. Turns out, there is almost no end to what girls like according to the fresh creative duo of Katrina Germein and Deb Hudson . Girls Like is a joyful romp through an endearing neighbourhood of girls as they go about their day to day lives. Each spread addresses a particular generalised 'like', for example food. The thing is, with so many variations of our girls, food favourites vary dramatically, to o. Thus, Green food, hot food, Queen food - what's not to like! Just as young females come in all shapes and sizes, so too do their predilections. How they wear their hair, what type of art they are drawn to, the nights they relish best, the tricks they attempt, the friends they keep. All are as unique and diverse as they are.  The complementary art work by Hudson is beating wi...

Dreams are the conduits to adventure. We've all had a few. Mine, as a freedom seeking teen, was to buy the red and cream bus for sale that I passed everyday on my way to school. Imagine living in a bus, traversing the highways and byways of Oz! Well, Dave Petzold did and wrote about it in the family based adventure, We Live in A Bus . My love of the ocean pulled me in a different direction however thanks to another picturebook-inspired dream - to live on a boat.  I remember a book filled with friendly marine creatures, a sea of swirling colours, freshly caught sea bass for dinner and grilled peaches for dessert, luxuriously illustrated and brimming with whimsical adventure. Could Petzold have shared this dream as well?  We Live On A Boat , is a magnificent ode to the ocean and salute to the 'live aboards' who frequent her currents and tides. Lyrical verse begins with the reoccuring sentiment; we live on a boat which is immediately reinforced with the vessel's name: Luc...

When an adult picks up a junior fiction chapter book and is transported back to a time when nothing else mattered but page turning until the end, you know you're on a winner. Why? Because for me, that time, when I was so utterly absorbed by books my surroundings, time and even food failed to penetrate my intense committment to story, was one of the most joyous in my life.  The Silver Series of chapter books aimed at youngsters between the ages of five to nine not only fuelled that transportation, it actually made me feel like one of those book-loving kids again; like I was nine. This cleverly curated ensemble of engaging stories for kids however is first and foremost that; for kids not a wannabe kid again! And it does so with carefully considered intelligence. So far, I've enjoyed the first three. All sport bright inviting covers, clear theme discriptions and ... joy of joys ... rounded edges! I'm not sure why I like that but feel sure kids with differing tactile sensitivi...

Unless you are familiar with Melbourne's skyline and Australia's recent past, you may not be acquainted with The Skipping Girl, aka Audrey. Audrey Skips is a beguiling picture book that changes all that. Based on Australia's first sequenced animated neon sign Audrey Skips escorts readers through a fascinating tribute to a treasured landmark, thanks to the animated rhyming text of Andrea Rowe and the exquisite illustrations of Lisa Coutts. Audrey first sprang into life atop the Malt Vinegar factory in Abbotsford in 1936. Her role was simple, to promote Skipping Girl vinegar. This she did with clockwork appeal and tireless vigor. Bedecked in her vibrant red dress, Audrey skipped and flipped, twirled and glowed rivalling the pinks and oranges of Melbourne's sunsets with her neon bloom. Spirited verse sets this scene vividly as Audrey becomes a silent yet reliable fixature of the city's skyline. Over the years, Audrey becomes the backdrop to city life, an impartial ...

When I was a kid, Mum and Dad ordered in a magnificent, leatherbound, two volume set entitled, Singer of the Bush and Song of The Pen; a collection of poems, verse and short stories by Andrew Barton 'Banjo' Paterson. Like many others, I went on to love several of the well-known and well-worn classics. I never made it through every single poem. I still have the two giant tomes. They represent keepsakes and a slice of history. Imagine if other young readers, curious crafters of words and themes they are only just becoming acquainted with could have their own slice of this history. Meet Banjo Paterson - in board book form. Presented in hard cover, thick paged, glossy full colour, this introductory series to the amazing works behind one of Australia's best-loved poets comes to vivid life. Edited to be read in one sitting, these make familiar classics less wieldy and supremely more accessible for both carers, parents, teachers and the little ones they are reading with. Waltzi...

The term umbrella can mean many things. Ostensibly, protection, shelter, inclusion, unification. All admirable qualities, ones that entice a visit within. Trouble is, not all umbrellas are of equal size. Not all possess the capacity to encompass those that perhaps are in greatest need of them. And yet, as is oft the shared human condition, we all at some point crave to fit under that mantel of shared connection – to fit in. And those that appreciate this inherent desire better than any other are children. This is the core of Niki Foreman and Binny Talib’s stunning new creation; an exploration of a young person’s observation of their social standing, their subsequent efforts to change it and their eventual realisation of self. Characterised by a non-gender specific child, the realities of not quite fitting under the umbrella is apparent from the get go. Our main character has but their robust raincoat and desire to join those comfortably already under the umbrella, noticeably withou...

By now, most of us have heard of the Easter Bilby. A cute long-eared, pointy-snouted, nocturnal marsupial native to Australia’s arid lands aka the Australian Easter Bunny. But when a trio of young desert dwelling birds encounter their very first bilby, they are in need of a bit of convincing that this critter is not in fact EB Og. And who better to persuade them than Bilby himself. In lilting rhyming verse, Bilby escorts his curious companions through an intriguing list of his best qualities. What makes this adventure so alluring however, is the choice of descriptive wordplay Janeen Brian employs to do so. Bilby’s eyes become his peepers , two tall pink straight-ups are his ears and his scratcher-scritchers …? Well, you be the judge. Clues are secreted in follow-up verse as Bilby explains what each of these features help him do, eat, and shelter from. The results are both delightfully informative and hilariously goofy. I will never be able to look at my dogs’ wagging tails again ...

Connections. I like the serendipitous ones the best. Unplanned, organic, braided by curiosity, like mindedness or rapt admiration. Which is how I embarked on a fascinating exchange with Dub Leffler , book illustrator, animator, mixed media artist, storyteller and foremost, proud Bigambul man. I knew and had admired Dub’s work from books co-created by industry mates of mine but the artist’s true identity remained a mystery to me, one I’ve only began to appreciate through his daily social media story shares. Visual musings. Sneak peaks, Animations camouflaging a more encompassing tale, too abridged for the small screen. It felt like I was glimpsing something slightly off stage, in the wings, waiting full exposure … I recognised part of what I saw, faces and images that seemed poignantly familiar. More than drafts and spreads, these late night, early dawn reveals were the heartbeats of a soul of a story soon to become a stirring new picture book, The Drover’s Son. Penned by Leah Pur...

Something for your TBR lists! Every two years, the IBBY Executive Committee (International Board on Books for Young People) elects the international jury of experts from nominations submitted by the IBBY Sections. All the candidates nominated for the  Hans Christian Anderson Award have made outstanding contributions to children’s literature in their countries and are selected by the IBBY Sections; a complete list of the 78 candidates to the 2026 Awards can be seen here. I was hoping to attend the 40th IBBY Congress this year because of the theme, Listening to Other's Voices - increasingly crucial in a world of diminishing abilities to actually hear what is going on. Also because it's in Ottawa, Canada! A place of distant relatives and long-held yearnings to visit. Alas, next time ...  Meantime, I'll content myself with this Jury Recommends list chosen by the judges as recommended reading from the many nominations received for their Awards, because -  The Jury feels t...

Well, hello there! They say sabbaticals are the just the ticket for restoring one's sense of direction and refreshing one's perspectives, even unintentional ones. Avid followers, yes I'm talking to all three of you(!), may recall I made a soft promise a couple of years ago to level up with my posting. Who knew an intergalatic time warping conspiracy would reduce those 730 days into mere seconds!   During that crazy time shift, I didn't mean to neglect my ad nauseam sharing here. That part of my mo has not altered. I've just shifted my oversharing to other platforms, more easily updated on the run, accessible to a wider audience, more 2026 and less 2009 where I still feel at home!  Life has an endlessly fascinating and perplexing way of unfurling or rather unravelling at times. Best to let yourself tuck and roll with it I've come to appreciate. So here's a wee update and reaffirmation: Life stuff: still here! My life is probs no more extraordinary than yours....