Dim's Write Stuff

When nonsense invites silliness, silliness begets joy. And joy is one of the best things we can feed to our young folk. Unfettered amusement is exactly what you're served in James Foley's , Oh No!   I'm no grammar junkie but as a writer, I do adore a good dollop of onomatopoeia. Oh No! not only promises this from the very first end papers, it delivers it on every single page. Which is great for ramming home the meaning behind this multi-syllabic device, but also achieves the penultimate objective of any picture book, repeat read throughs. Every splish, splash CHOMP ! is accompanied by the query of ' What's that noise? ', because these onomatopoeic words describe sounds which set the scene for the aforementioned silliness and invite further investigation.  It all begins with rapturous applause, or rather a pageful of clap clap clapping for an elephant with a very special cake. Sadly, things soon spiral into a vortex of catastrophic mishaps each more ludicrious ...

It’s always a joy to see your story in print. For the most part, this happens in English. If you are really lucky, your books are distributed around the globe throughout an atlas of countries. If you are blessed with great publishers and savvy International Rights agents, your beautiful works are ultimately translated so that kids in countries like China and Hong Kong gain full benefit of your stories in their own language. I'm feeling very blessed and more than a little moved to have my first published picture book, The Fix-It Man now available throughout China in simplified Chinese. This is the language of my ancestors (on my father's side) and whilst I'm a poor example of retaining ones mother tongue, it fills me with quiet satisfaction that a story I made is now in the language that in part made me.  This simplified Chinese version released in July 2021 in China. It is part of a 5 book pack set containing a curated selection of ‘healing picture books’ originally publ...

My conference triage is reasonably simple: if I manage to glean a new sliver of information that enables me to improve my craft or  happen upon a revelation that deepens my understanding of story telling or  experience affirmation of a belief or method I am already practising, then I feel I have gained something useful. The following round-up highlights some of the sessions I attended while swanning around the Asian Festival of Children's Content this year. Deep Point of View (DPOV): What is it and How to Write It with Kathleen Ahrens  Kathleen encouraged us to first re investigate our Intention - why we write. Knowing that then allows us to engage with the readers' emotions and therefore establish, DPOV. She introduced us to different POV Characters and the tenses and view points they can be portrayed in for example, first person, third person, second person etc. as narrator omniscient multiple viewpoints  single major viewpoint Deep Point o...

Fellow Logophiles and Wordsmiths are well acquainted with the often bizarre oddities of the English Language but  DID YOU KNOW  that the combination "ough" can be pronounced in nine different ways? The following sentence contains them all: "A rough-coated, dough-faced, thoughtful ploughman strode through the streets of Scarborough; after falling into a slough, he coughed and hiccoughed." If words are one of our main tools of the trade, it might be easier to learn to write in Finnish. But in the words of Hemingway, Love the Word and defend it against its enemies!